Alive Design Object

aerial perspective, centralized composition, circular form, Prussian blue, ultramarine, cerulean, viridian, sap green, emerald, chromium oxide green, forest canopy, biomimetic design, phyllotactic pattern, radial arrangement, concentric circles, complementary color harmony, cool-warm chromatic contrast, diffused lighting, zenithal illumination, textural contrast, organic versus geometric, contemporary design, environmental art, land art resonance, dimensional surface, raised texture, stippled pattern, manufactured precision, natural proliferation, middle-value tonality, installation documentation, conceptual design, sustainable aesthetics, biophilic reference, meditative quality, contemplative mood, aerial photography, design object, sculptural form, nature intervention, holistic composition, pristine execution, innovative materiality

Design is created from the urge of wanting more natural interaction in the surrounded environment. 'Alive' is inspired by water - the foundation and source of all life. Once Marcele Kuliesiute crossed the biophilic design definition, she tried to apply the aspects of it to the design. It says that rhythm or movement, perceived in nature, creates a strong impression and a positive impact on the people. The designer created 'Alive' for public interiors, offices, and other public spaces, to provide the vitality of the environment and to remind of and nurture Mother Nature.